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TOP GUN FULL MOVIE
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Jurassic WD 2022 Movie!
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Good Friday to my Fellow Family Members trapped within the confines of this Penal Colony for Negroes! Today I highlight Negro Central and the social media platforms FUBU; the greatness of Black women; the pendulum swings; the 99 Woodstock Redux; there needing to be an US; all coming from an angry black man,( or so they say), followed by Black News and we're out! Please be sure to like, comment, subscribe, and share!
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Good hump day to Hebrews everywhere! The Kingdom is real! A fact we will discuss along with not being extra, me doing this for Negroes, what they have in mind, defining righteousness, closing with are we better off, and tumbling into Black News! Please be sure to like, subscribe, comment, and share!
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Good Monday morning to my Brothers & Sisters trapped within the confines of this Penal Colony for Negroes! Today we go over: The Best & Worst & Who's Left; Consequences of Being a Serious Negro; Staying Alive by Moving in Pairs; There Will Be No Race War; The Natives, Our Example; and The Nastiness and Ugliness Within Them! We close with Black News! Enjoy!
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"Scrub Me Mama with a Boogie Beat" is a 1941 hit boogie-woogie popular song written by Don Raye. A bawdy, jazzy tune, the song describes a laundry woman from Harlem, New York, United States, whose technique is so unusual that people come from all around just to watch her scrub. The Andrews Sisters and Will Bradley & His Orchestra recorded the most successful pop versions of the song, but it is today best recognized as the centerpiece of an eponymous Walter Lantz Studio cartoon from 1941
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The short version, released on March 28, 1941, by Universal Pictures, features no director credit (although Woody Woodpecker creator Walter Lantz claims to have directed the cartoon himself), with a story by Ben Hardaway, animation by Alex Lovy and Frank Tipper, and voiceover work by Mel Blanc and Nellie Lutcher. The short uses blackface stereotypes of African-American people and culture, and of life in the rural Southern United States.
The "Scrub Me Mama" short is today in the public domain. Clips from it are featured in Spike Lee's 2000 satirical film about African-American stereotypes, Bamboozled.. --Wikipedia
"The Negro middle class, torn between white goals and black needs..." Examined by William Greaves and William Branch in a 90-minute NET Produced episode and enlists the narrating talents of outstanding actor Ossie Davis.
The program notes that five million black Americans - one in four - have attained middle class income, and that their marketshare now totals 32 billion dollars. But being "middle class" is not merely a matter of income. It is a question of behavior, or aspirations, of respectability, according to sociologist St. Clair Drake of Roosevelt University. And it is here that the break occurs. Though many black people remain committed to the suburban, basically white, aspiration, others have become affected by the black movement.
The conflicts posed for the black middle class are articulated by such spokesmen as John H. Johnson, president of Johnson Publishing Co.; Robert Johnson, editor of Jet magazine; St. Clair Drake, Roosevelt University sociology department and author of "Black Metropolis"; Ralph Featherstone of SNCC; Julian Bond, Georgia legislator; Bayard Rustin, director of the A. Philip Randolph Institute; Dr. Percy Julian, Chicago millionaire; and Dr. Nathan Wright, organizer of last summer's Newark Black Power Conference.
The program notes the growing pride in one's African heritage, ranging from hair styles to art collections, and from an appreciation of "soul" food to a rejection of the television image and its "Nordic standards of beauty." Mirroring the new cry "Black is beautiful" is a new kind of religion which denounces the "white nationalist" drift of historical Christianity. This trend has been dramatized by recent urban riots, with which many members of the black middle class are sympathetic.
The film cites the personal experience of Horace Morris, associate director of the Urban League in Washington, D.C., and a former Syracuse University footballer. Morris, driving into Newark during the riots, was fired on by local police, who killed his stepfather and wounded his brother.
Ralph Featherstone of SNCC contends that "there is no black middle class." A social habit such as the evening of elegance "hinders the struggle for modern genuine radicalism," says Featherstone. The viewpoint emerges most poignantly in the case of Horace Morris, associate director of the Urban League in Washington, D.C., and former footballer at Syracuse University.
The program depicts young adult African Americans , especially at a traditionally conservative school such as Howard University as taking the forefront of the new militancy. This militancy takes its most severe form in the riots, seen here briefly.
"Still A Brother: Inside the Negro Middle Class" is a production of National Educational Television. Co-producers: William Branch and William Greaves.
This aired as NET Journal episode 185 on April 29, 1968 and as NET Journal episode 248 on September 15, 1969.